Enge Unnai Kandaal kuda (Rare SPB_SJ Duet)


– Saravanan writes:
A forgotten SPB/SJ treat dished up by MSV: ‘engE unnai kaNdaal kooda’ from chithira sevvanam. Lyrics by Kannadasan.


I don’t know much about chithira sevvanam (1979/ Dhanashekari Enterprises), except that the film starred Srikanth, Srividya & Jaiganesh.


VJ’s graceful ‘pon vaNNa veeNai, poonthendRal raagam’ was perhaps the more popular song from the album; I remember listening to it fairly often on the radio. The other songs in the film were ‘chittaaLu chittaaLu’ (MV/LRE) and ‘indha paadalai paadi paar’ (SJ). ‘engE unnai kaNdaal kooda’ was the fourth song; it found a brief season of airtime and then disappeared forever from public memory. It was the beginning of the decade when a SPB/SJ duet became a customary inclusion in most tfm albums; amidst this abundance, this enchanting MSV creation slipped unnoticed into oblivion.


In the summer of 2003, a big gang of tfmpage dfers decided to resurrect a great thread titled ‘yEthO ninaivugaL- Memories of Another Day’. Surya, Other_Side, Vijay, Naaz, Prabhu, Mythila, raj, Raj, Music4Ever and CM, among others indulged in wonderful nostalgia, recalling so many forgotten songs from the 70s and 80s. Each day, even each hour brought gratifying recollections from all of them. In the course of these reminiscences, came a post from Raj, enquiring about this song ‘engE unnai kaNdaal kooda’, and I lost myself in rapturous reverie, recollecting the song that I had cherished for years, but had quite callously forgotten for a while.

* * * *


In SPB’s very first year in tfm, in the midst of his memorable duets with PS like ‘aayiram nilavE vaa’, ‘malligai poo vaangi vandhEn’ and ‘iyaRkaiyenum iLaya kanni’, MSV also made him pair with SJ for that lilting moonlight tryst ‘pourNami nilavil pani vizhum iravil’.


In the following exhilarating years, SPB and SJ got to sing some unforgettable duets together. KVM summoned them to sing the appealing ‘kaNNaal nadathum oru kathai uNdu sollattuma’ and the whispery ‘iravugaLai paarthuNdu, uRavugaLai paarthathillai’. Shankar-Ganesh gave them the dainty ‘ondRE ondRu thEnooRum vaNNam’ . GKV, who had reaped the mesmerizing magic of this combination in Kannada, celebrated their effervescence with that unforgettable ‘thEn sindhudhE vaanam’. V.Kumar too could not resist harnessing their electric élan – the rollicking qawaali ‘yEmma kaNNu vaama poNNu’ and the poignant ‘ennodu kaNNan yEn pEsavillai’ were such diverse delights! Shyam brought them together for his dreamy ‘nenjathil pOraadum eNNangaL’. And even as MSV came up with one SPB-PS stunner after another in that period, he did reserve some delectable duets for SPB-SJ like ‘kELvi kEtkkum nEramalla idhu’, ‘poonkodiyE poonkodiyE’ and ‘angE varuvathu yaarO’. In his very first year, IR fell for the bewitchment of this duo in classics like ‘naan pEsa vandhEn’ and ‘oru naaL unnOdu oru naaL’. And with SPB and SJ soon evolving as his favorite singers, the IR era saw them assuming prolific prominence as the most sought after singing pair in tfm of that time.


SPB often has generous words of appreciation for SJ and SJ too has frequently showered encomiums upon SPB. In 1997 in SPB’s ‘enadhu isai payaNam’ show, when SJ was called upon to speak, she was so overcome by emotion that she merely said ‘naan pEsa vandhEn, sollathaan Or vaarthai illai!’ In February 1999 in a show with SJ in Kamaraj Arangam, SPB recalled with gratitude how when he took part in a singing competition even before he entered tfm, SJ, who was one of the judges, gave him the highest scores. And when the verdict of the other judges didn’t match hers, she was forthright in stating her dissent. Standing beside him now so many years later, SJ smiled indulgently at his recollection; and the duo went on to render the evergreen ‘sippi irukkuthu muthum irukkuthu’.


In the course of interesting chat with bb & friends, SPB has once again happily reiterated what he has said many times before, his rueful acknowledgment of SJ gleefully nudging past him in the last lap!


Take this SOTD as a case in point of their sizzling singing chemistry- how much comradeship there is in their rendition as they bring to scintillating life the song crafted with care by the mellisai mannar! Hark at both of them bring enticing embellishments line after line, note after note. Both the charaNams are remarkable in their structure and composition. The first one is wholly for SJ and she paints a tantalizing picture of the most exquisite hue and of a pattern the beautiful intricacy of which delights and amazes. The second one is filled with precious moments of intimate sensual joy conjured up by both the singers. Aaah..the minuscule aalaap that SJ so cunningly incorporates just after that ‘engE’ in the end…SPB Sir, I can see you throw up your hands in mock despair!!

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Rare Melodies of Ramakrishna with Janaki (A Tribute)

Ramakrishna emerged a promising singer during early 70’s. He was sister’s son of legendary P Suseela and he rendered many beautiful songs with her. Not only duets with PS, his solos for almost all leading actors were famous for a period of time. He was bridge between Ghantasala era and Balu era of Telugu film music. Many heroes wanted him and him only as their voice during his peak period.

He did share few melodies with SJ also. He had a great admiration for her. Infact, Photo of SJ-Ramakrishna in this post was also shared by him in facebook during 2013 with great words of admiration for SJ.

Saddest news is that he left us on 15th July 2015. Sharing his songs with S Janaki as a token of respect to that great singer.


Sir, we all love you. This is our sincere tribute filled with prayers for your soul to rest in peace!!

 

 

Sno Song Movie Music Director
1 Haayi Haayi Chairman Chalamayya Salil Chowdhury
2 Manasu Vayasu Jeevita Rangam S Rajeswara Rao
3 Ee Nava navalade Love In Singapore Shankar Ganesh
4 Jeevitham Madhusala Vayasu Pilichindi Ilayaraja
5 Aa Amma Kalipindi Iddarini Kadali Vachina Kanaka Durga Satyam
6 Nelluru Nerajana Raja Ramesh K V Mahadevan
7 Maapatela Tellaradu Bhuvaneswari Satyam
8 Madhava Ravela Kalavari Kutumbam Satyam
9 Hello Hello O My Darling Baby Manchi manasu T Chalapati Rao
10 Anuraagamutho Bandham Maa Iddari Katha Chakravarty
11 Nee ompulu Chilipi nee chupulu Simha Swapnam Satyam
12 Ololi Oleli Love in Singapore Shankar Ganesh
13 Parasakthi Mahasakthi Sri Kanyakaparemeswari Mahatyam S Rajeswara Rao
14 Naa Kallalo Thongi chudu Mohini Sapatham Parthasarathy

 

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Ten songs not to miss from MSV_SJ (A Tribute)


Dearmost “Mellisai Mannan” (King of Light Music) M S Viswanathan left us on 13th July 2015. Undoubtedly, A black day for South Indian film music. His services to music were unparalleled. He ruled musical waves for decades together like no one else did. His works with legendary and lovely golden vocals of TMS, PBS, Ghantasala, Seerghazhi, BMK, SPB, VJ, LRE, KJY, Jayachandran and (especially with)PS were all awesome!! Since, this is a website exclusively dedicated for SJ, we pay our tributes with his musical creations in enchanting vocals of Janaki amma!!


SJ was not part of many musicals from MSV but whenever they worked together, they ensured to extract very best from each other’s abundant talent. SJ sounds extremely innocent and sincere in his compositions. There were many greats from them out of which around 180 are shared in our site till date. It is extremely difficult to pick the very best in their combination.Presenting 10 songs today from their works as a tribute to the legendary MSV sir!!


Let us start the journey with a memorable PBS_SJ duet. MSV-TKR-PBS-SJ gave many melodious duets like “Enthan paruvathin kelviki Badilenna sollidum”/”Poojaikku vantha malre vaa”/”Azhagukku Mayailukku”/”Ponenben siru poovenben”/”Paadatha patellam” etc.. There is a reason for choosing “Intha Mandrathil Oodivarum” as the best among all these. MSV sir, himself loved it so much and mentioned that it is one those compositions of his which are close to his heart.. As he mentions in the audio clip below, this is not a regular duet between two lovers, but it is a love song of a girl accompanied by her brother’s love and hope to fulfill his sister’s dreams! Listen to his kind words on Janaki amma’s ageless voice!


Listen to the evergreen song..


Sumaithangi was yet another movie from Sirdhar-MSV-TKR with PBS-SJ all the way singing immortal compositions of “Mellisai Mannargal”. Every song in this album is gem of a composition and a memory to cherish. Kannadasan sir gave such a thought provoking lyrics to compositions that he himself became fan of those songs. Once he went to Janaki amma’s house and borrowed LP (Gramophone record) of “En annai saida paavam” from her to present it among his favorites for a Radio show. He never returned the same!! Such was his love towards that song. What to say, everything was(is) divine in this song right from that immortal tune/singing to beauty and skillful acting of Devika mam!!


Listen to the classic here..


This song may be lesser known among all other songs being presented in this page today. But, This song is chosen to show the greatness of MSV sir in composing Raga based songs. “Ganga Gowri” was a musical where MSV made SJ sing a solo (song in current discussion) and duets with TMS, PBS and LRE. “Azhagiya Megangal” was based on “Amrithavarshini” Raga and considered to be one of the best presentations of the same! Janaki amma narrates one incident in some of her interviews. Once there were no rains in Chennai for a long time and she was travelling in her car between recordings. She prayed to God for rain and was humming this song with all dedication. It suddenly rained. She says “This may sound sarcastic/sentimental, but for me it is magic of his immortal composition”. Such is her admiration towards his music!!


Listen to their “Amruthavarshini” here…


Oh, What a classic this song is!! What a boost this song gave to SJ’s career!! What is not magical in this song ..? MSV’s tune/Kannadasan’s Poetry/Bharathi’s Beauty/SJ’s singing. Everything is absolutely magical!! That girl is madly in love with her hero. She had nothing else but pure most emotions filled for him in her heart. How else can she explain that to him. What an emotional performance by the team!! Yet another from Sridhar-MSV-SJ!!


Listen to this romantic offering from “Avalukendru oru manam”…


“Once a classic, a classic forver” – “Kannile enna undu” is a classic example for this. In a recent music competition in Star Vijay Tv, Mano sir mentioned that Pacham da aka RD Burman sahab was very fond of this song and would mention this many times in person. Not only he, every music lover fell in love with this one, irrespective of language. This song was equally (if not more) popular in in Telugu “kallalo unnadedo kannulake telusu”. Was it not enchanting in Malayalam too ..? Why not! When Legends work for a song with such a dedication, it out to be one!!


Listen to this lovely song fro “Aval oru thodarkathai”


If Janaki amma considered “Azhagiya Megangal” as a miraculous composition, MSV sir also believed in musical miracles but in another MSV_SJ offering. May be, this is very best from them as well. He mentioned in his interview to Jaya Tv once that right after recording of “Katrukkenna veli”, there was a heavy wind outside the studio, which he says is “magic of music”. Kannadasan sir gave life to Balachander’s heroine! This is how his heroines live in his movies .. Bold yet traditional, Never conventional, Strong yet kind hearted, Brave but extremely feminine!!


Janaki amma sang this song with all her heart and soul! There is yet another classic from this movie, which is more emotional and accompanied by a wonderful flute work. It is “Ippadi oru thalattu paadava”. Since, we decided to go with only 10, it missed a place in our musical journey today ! Katrukkenna veli was a success in Telugu(Galikadupu ledu) as well.


Listen to “Katrukkenna veli” from Avargal


MSV sir gave beautiful melodies to Janaki amma in Kannada/Telugu & Malayalam. He made her sing Hindi in “Tu hain Raaja” as well. They worked together in many major projects in Malayalam. Especially, our song today “Aa Nimishathinthe” was such a superb work from both that both won Kerala state awards for best performance in their respective departments. SPB sir/Jayachandran sir mentioned many times about how intricate the compositions of MSV sir were and how he would change the tune constantly even before a singer grasps the same. This song is a perfect example for that. Songs of this nature are not meant to be discussed, but only to be “experienced”!!


Listen to this Malayalam classic from Chandrakaantham!


If there is one song to define their genius, it should be this one!! If MSV sir got Kannadasan sir to give flying colors to imaginations of Balachander sir, he always had Athreya garu in Telugu to do perfect justice to “unique characters” created by Balachander.


“Aah”, what a lyrics by Athreya garu. He wins every heart with song. There is something for every one in this song to correlate. This song is not a typical melody, it should be carried by a self respect/vision/thought/elegant grace/hint of arrogance. This is exactly what SJ did to that creation of MSV!!


Listen to thought provoking “Andamaina Lokamani”


Marocharitra, Was a Blockbuster Love story or an evergreen muscial..? It was both!! It was a musical offering by MSV sir to every Telugu music lover. It had PS, SJ, LRE, VJ, Ramola (as voice of Saritha) every one singing one of their career best melodies! Every singer showed how great and unique they were and why they were (and are) Legends for ever. Of course, there was SPB as voice of Kamal. If SJ and MSV made this song a classic, Athreya made it Immortal with his lyrics. Through out the song, he expresses the feeling of a young girl in love, who knows nothing but love, who sees nothing but love,who speaks/sings nothing but love.. what makes him unique is his signature line “Ninnu Nannu kanna vallaku Koti dandaalu”, which is exactly what this movie was all about!! In this movie, Hero-heroine love each other but they respect their parents more!! Try not to exclaim “Those were the days!!” after listening to such gems. This song had a Malayalam sibling (from MSV_SJ again) which was equally good!


Listen to ever fresh “Padaharellaku”


Solos like “Ooru sanam” (with MSV sir’s awesome tune and Raja sir’s classic BGM), award winning “Rathayai pen paarka kannan vandhaan”, melodious “Angatha Nattil”, fun filled “Enda Raja enna venum”, classically rendered “Thirumaal Azhagan”, innocent “ponnunjal Katti vaithu”, haunting “Venmegame”, Malayali “Kalam kalam malr melam”, emotional “Ninaithaal podum”, soulful “Thookum un kangal”, questioning “Oomai Pennai pesa chonna uravo”, motherly “Muthu mani kannanukku”, popular Malayalm song “Veena Poove” and many more can never be forgotten!!


Not only solos, but MSV enriched musical kitty of SJ with many duets also. Kathalin Ponveethiyil(With TMS), Kannile Neer etherkku (With Seergazhi), Antharanam Naan ariven(With PBS), Malare Kurinji Malare(with KJY), Pournami Nilavin(Very first duet of SPB-SJ in Tamil), Thendrathu unnidathil(With Jayachandran), Pokkiriki Pokiri Raja(With Malaysia Vasudevan), Un kathaithaan(With PS), Manjalum Thanthaal (With Jikki),Inda pennodu(With VJ) are just a few memories from the duets SJ rendered for MSV’s tunes. He himself shared mike with SJ for evergreen melodies like “Solathan Ninaikkiren”/”Sindu nadi Poove”.


But, if we need to pick a duet which was very unique, it should be “Chippi irukkuthu” from “Varumaiyin Niram Sivappu”. It was Sridevi (in voice of SJ) singing tune and Kamal(in voice of SPB) adding words to it. What a blessing it is to listen to such experimental songs. This team(MSV_SPB_SJ) even created a complete song with just one word “Ninaithaale inikkum” and proved that nothing is impossible if there is stuff in it. Yes, That song was a huge success!! Sharing Telugu version “Kanne pillavani” which became a signature tune of MSV. Even current generation gets connected to this song and they start humming along with SPB-SJ as soon as the song starts. Once, there was a felicitation to MSV in Andhra during 2005-2006. SPB and SJ were around in Hyderabad and were invited to that function. There was IR/MSV and many more in that function. When SPB-SJ were asked to sing, they chose this song from their rich kitty and presented with such love and respect as an offering filled with dedication to this musical genius!!


Listen to Kanne pillavani from “Aakali Rajyam” here.


There are many memories left to be discussed, many songs left to be played. Anything in world is not enough to describe everything about this genius!!. Sir, thanks for such great songs.


As Shailendra mentions in a song from Anarkali “Gareebon ka ek aasra ye Dua hain, Due ke Siwa mere paas aur kya hain!!” (What all a poor man can offer is a prayer, what else do we have to offer than our prayers!”). You Live forever and ever with us through your music… May your soul Rest In Peace!
You will live for ever and ever …………

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Malayisa Vasudevan -S Janaki Evergreen Duets Vol 2

          He is no more with us but his music is! Malaysia Vasudevan had a magical voice which was tailor made for folk tunes of Tamil Nadu.

          He shared many duets with SJ especially in music of Ilayaraja. They sang both romantic and folksy tunes for Legends like M S Viswanathan, Shanker Ganesh, Chandrabose, Deva through out 80’s and early 90’s as well.

Sharing another compilation of their duets here. Hope you enjoy the same.

 

 

Sno Song Movie Music Director
1 Sariyo Sariyo Enkitta Mothathe Ilayaraja
2 Thananthana Adhisaya Piravi Ilayaraja
3 Thedum Deivam Kazhugu Ilayaraja
4 Vaigai Neerada Chinanchiru Kiliye G K Venkatesh
5 Aasai Idhayam Kanmani Ilayaraja
6 Ilam Kadhal Vellai Pura Ondru Ilayaraja
7 Anbe Sinthamani Tharayil Vazhum Meenka Chandrabose
8 Andha Poonguyil Vandhu Paadaatho Nee Thodum Pothu Ilayaraja
9 Azhage Azhage Pillai Nila Ilayaraja
10 Chinna Chinna Veedu Katti Poongkuyile Shanker Ganesh
11 Iniya Kaman Januvary One Ilayaraja
12 Kai Valikuthu Kunguma Chimizh Ilayaraja
13 Kanna Thorakanum Mundhanai Mudichu Ilayaraja
14 Kaalam Neram En Selvame Ilayaraja
15 Maane Manguyile Madakulam Manaivi Solle Manthiram Ilayaraja
16 Malligai MaganeMagane Ilayaraja
17 Malli Malli Chendu Malli Iravu Pookal Ilayaraja
18 Naal Paarthu Vanthen Avan M S Viswanathan
19 Mookkutthi Puthiya Thoranangal Shanker Ganesh
20 Kathiru Kathaduthu Niyayam Ilayaraja
21 Muthu Manikka kangal Thunaivi M S Viswanathan
22 Kulikkum Neram 24 mani neram Ilayaraja
23 Kandangi Selaikatti Chinanchiru Kiliye G K Venkatesh
24 Kalangal Mazhai Kalangal Idayathil Oru Idam Ilayaraja
25 Yaar Paadum Paadal Endraalum Paattukku Naan Adimai Ilayaraja
26 Onnonnu Rendu Enkitta Mothathe Ilayaraja
27 Nillenne Nillena Soorakottai Singakutti Ilayaraja
28 Yaaro Yaaro Selvi Ilayaraja
29 Nenjukkul Poo Manjangal Saattai Illatha Pambaram Ilayaraja
30 Kalyaana Ponnirukku Nalla Thambi Ilayaraja
31 Kangal Unakaagavey Vaazhgiren Ilayaraja
32 Karakaattam Shenbagame Shenbagame Ilayaraja
33 Nee Enna Meesai Muthu Engal Sothu Ilayaraja
34 Nenuisthaanu Antha Sila Natkal Ilayaraja
35 Ada Neela Chelai Vasantha Azhaippugal T Rajender
36 Neramachu Vaa KannaiThorakkanumSaami Ilayaraja
37 Pokkiri Raja Pokkiri Raja M S Viswanathan
38 Pacha Mozhaga Mr. Bharath Ilayaraja
39 Othaiyile Nalla Naal Ilayaraja
40 Ammamma Thegam Neruppukkul Eeram Ilayaraja
41 Puthagathai Mella Purattu Annai Bhoomi Ilayaraja
42 Pavadai Thavaniyai Chinanchiru Kiliye G K Venkatesh
43 Satti Mutti Chinanchiru Kiliye G K Venkatesh
44 Thaniya Thavichirundhen Neruppukkul Eeram Ilayaraja
45 Un Mele Oru Kannu Naan Mahaan Alla Ilayaraja
46 Vaai Thiravaai Poonguyile Nee Thodum Pothu Ilayaraja
47 Vaanile Hello Yaar Pesurathu Ilayaraja
48 Malaiyeru Malaiyeru Therku Theru Machan Deva
49 Naanthanda Soorakottai Singakutti Ilayaraja
50 Chithadi Katti Ithu Enga Naadu M S Viswanathan

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S.Janaki’s songs in Malayalam – Part VI


The Nightingale in God’s Own Country- Part VI


K.J. Joy is another composer who belonged to the same decade as Shyam, and the joys that he brought to Malayalam film music in the late 70s and early 80s are varied and many. Tamil film enthusiasts would probably remember him as the composer of the breezy ‘sippiyin uLLE muththaadum seithi’ (yaarukku yaar kaaval/1979). Joy was not as prolific as Shyam though, and this was not because he was lacking in talent; it was only because he was a much sought-after instrumentalist, playing the accordion and combo-organ for most composers of the South and had little time to explore further his capabilities as a music composer. However, in the 65 movies that he did score the music for, he has proved his composing skills in ample measure.


Janaki got to sing many of Joy’s creations, and ensured that each outing was memorable. The 1977 movie ‘aaradhana’ starring Madhu and Saradha had 3 Yesudas-Janaki duets, ‘pon thaamarakaL’, ‘aarO aariraarO’ and ‘thaaLam thaaLathil’. While ‘pon thaamarakaL’ endears itself with its delightful accordion passages, and ‘aarO aariraarO achantE mOl aariraarO’ lulls the listener with its tranquil warmth, it is the caressing ‘thaaLam thaaLathil’, that catches my fancy with its soft, seductive appeal. Janaki is so secretive, bashful, yet aroused; Yesudas is so tender in serenading his inamorata; Joy throws over the song a cloak of a nocturnal fantasy…


Listen to ‘thaaLam thaaLathil’ from aaradhana (1977)
Sung by Yesudas & S. Janaki
Lyrics by Bichu Thirumala
Music by K.J. Joy


In the same year, Janaki sang ‘kootilayoro kiLi’ composed by Joy for the movie ‘pattaLam janaki’. Oozing with the nectar of a honeyed voice rendering a heavenly composition, ‘amirthamozhukum gaanam’ (madalasa/1978) lives up to its lines. ‘ithanende vazhi’ was another 1978 movie had Janaki singing 3 songs for Joy- the solos ‘maNideepa naaLaam’ and ‘mElE neelakaasam’ besides the duet with Jayachandran, ‘sOmarasa salakaL’ and all of them enjoyed repeated airtime. However 1978 will always be remembered as the year in which Joy made Janaki render that stirring psalm, ‘lalitha sahasranaama japangaL’ in Babu Nanthancode’s ‘ahalya’. Supported by impassioned chorus voices, a deeply involved Janaki has uplifted the song to the eminence of an immortal bhajan…


Listen to ‘lalitha sahasranaama japangaL’ from ‘ahalya’ (1978)
Sung by S. Janaki & Chorus
Lyrics by Bichu Thirumala
Music by K.J. Joy


‘thaaalippoovum kalyaaNappudavayum’(nakshatranagaLE saakshi/1979), ‘mazhamukil mayangi’ with Yesudas (tharangam/1979), ‘orE raga pallavi’ with Yesudas (anupallavi/1979), ‘ninakku njaan swantham’ (sikharangaL/1979), ‘jeevitha nritham’ (OrmakaLE vida tharoo/1980), ‘thEchi poovE mizhithurakoo’ (hridayam paadunu/1980), ‘alkayilO’ (muthuchippikaL/1980), ‘pakaram njaan’ (attimari/1981), ‘swarga laavanya shilpamE’ with Unni Menon (gurudakshina/1983), ‘veLuththappattin thattamaninju’ (Passport/1983) were the songs that Janaki sang in Joy’s music over the years.

* * * *


When Raveendran was struggling to find a foothold in cinema, it was M.S. Baburaj who gave him a break by offering him an opportunity to sing a duet ‘pavana ranjini’ in the 1969 Satyan-Madhu-Sarada starrer ‘veLLiyaazhcha’. And the singer with whom Raveendran sang this duet was none other than Janaki.


A decade passed by before Raveendran could get an opening to prove his mettle as a music director, and it was Sasikumar’s ‘choola’ (1979) starring Soman, PJ Anthony and Adoor Bhavani that marked the debut of the talented composer. In his very first album, Raveendran had reserved for Janaki a languorous, lilting duet with Yesudas, ‘sindhoora sandhyakku mounam’. Sasikumar retained Raveendran for his next venture ‘oru varsham oru maasam’ (1980) and Reveendran retained Janaki for that haunting solo ‘murukiya izhakaLil’.


1981 brought with it several unforgettable collaborations of Raveendran Maash with Janaki. Balachandra Menon’s ‘tharattu’ with himself in the cast along with Nedumudi Venu and Srividya, had the tantalizing Yesudas-Janaki duet ‘raagangaLE mOhangaLE poochoodum aathmaavin bhaavangaLE’. With Raveendran’s Harmonium (is it ‘sri maha ganapathim’ peeping out in the interlude?) as the alluring accompaniment, Yesudas and Janaki entice us to a musical odyssey…


Listen to ‘raangangaLE mOhangaLE’ from tharattu (1981)
Sung by Yesudas & S. Janaki
Lyrics by Bharanikkavu Sivakumar
Music by Raveendran


For the Sukumaran-Jalaja starrer ‘swarnapakshi’, Raveendran composed a beautiful solo for Janaki, ‘thaamara poovilaayaalum veeNa meetukayayaalum’. In the same year came what is considered to be among Raveendran’s best ever albums and the one that propelled him to fame – ‘thEnum vayambum’. Starring Prem Nazeer, Mohanlal and Sumalata, the movie is remembered for Raveendran’s brilliant compositions. The title song had 2 versions- one by Yesudas and the other by Janaki; both versions found instant, widespread appeal.


Listen to ‘thEnum vayambum’ from thEnum vayambum (1981)
Sung by S. Janaki
Lyrics by Bichu Thirumala
Music by Raveendran


The tune found its way to Tamil four years later when Raveendran reworked on it as ‘paadi azhaithEn’, again in 2 versions by Yesudas and Janaki, for the movie ‘rasigan oru rasigai’.


For Balachandra Menon’s 1982 movie ‘chiriyO chiri’, Raveendran had Janaki sing in a child’s voice, and what an absolute riot the song ‘kokkamandi’ is! ‘mazha nilavu’, ‘changatham’, ‘aadyathE anuraagam’, ‘prasnam gurutharam’, ‘aattakalasam’, ‘kingini kombu’, ‘thaaLam thettiya thaaraattu’ were Raveendran’s albums of 1983 that had Janaki singing songs of diverse delights. Bharathan’s ‘ithiri poovE chuvanna poovE’ with Mammootty, Rahman, K.R. Vijaya and Shobhana in the cast was released in 1984, and ‘Omana thinkal kidaavo paadi paadi njaan ninne urakkaam’, the song that Janaki sang in Raveendran’s music ranks among the best ever lullabies to have found place in Malayalam cinema.


‘chiriyil njaan kettu geetham sangeetham’ with Yesudas and ‘dahamadaham’ (manassE ninakku mangalam/1984), ‘yamam kuLiru peyyum’ (sapatham/1984), ‘pinangunnuvO nee vayal kuruvi’ (enganEyundasanE/1984), ‘ambala poovE nin’ (kayyum thalaiyum purathidaruthu/1985), ‘aamukham kaNda naaL’ with Satish Babu (yuvajanOlsavam/ 1986) were some songs that Janaki sang for Raveendran in the following years. With Raveendran settling for the talented youngster Chithra for most of his compositions from the mid- 80s, we do not find Janaki appearing much in Raveendran’s ensemble thereafter.


However, Janaki did display flashes of her prodigious brilliance in the sporadic songs that Raveendran Maash called upon her to sing in the later years. As late as 1995, in Director Kamal’s ‘mazhayethum munpE’ starring Mammootty and Shobhana, Raveendran had Janaki render the delicate ‘chichaa chichaa’.


Listen to ‘chichaa chichaa’ from mazhayethum munpE (1995)
Sung by S. Janaki
Lyrics by Kaithapram
Music by Raveendran


In an album that had songs by much younger singers such as Chithra and Sujatha, the veteran manages to hold her own in this delectable number. It is Janaki’s sheer exuberance that keeps the enchantment intact…listen to her breaking out into a rapturous ‘thaththana thana’ midway, as though exclaiming with wondrous joy at the beauty of the composition…


In the following year, Raveendran created an unforgettable set of songs for Balachandra Menon’s ‘April 19’. Janaki was the mainstay of the album. While her duets with Yesudas ‘mazha peithaal kuLiraanennu’ and ‘devikE nin meyil vasantham’ glitter with the genius of the composer, it is the semi-classical ‘sharapoli maala chaarthi’ that is the stunning jewel in the crown.


Listen to ‘sharapoli maala chaarthi’ from April 19 (1996)
Sung by Yesudas & S. Janaki
Lyrics by S. Ramesan Nair
Music by Raveendran


When Janaki got to render this song, forty years had gone by since her debut in Malayalam. In valiant defiance of the inevitable ravages of age, the blessed chanteuse comes out with a stellar performance, matching the scholarly Yesudas, line by line, note by note. Listen to her breathtaking aalaap in the end… bravura!

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S.Janaki’s songs in Malayalam – Part V


The Nightingale in God’s Own Country- Part V


Carrying glowing testimonials from actress Sheela who had perceived his capabilities when he worked for her Tamil movie ‘appa amma’ (1974), Samuel Joseph alias Shyam made a grand entry the same year in Malayalam cinema with Madhu’s ‘manyasri viswamithran’, and thus commenced a memorable era where melody ruled the airwaves… a melody that sprung forth from MSV’s mystique and soaring high, found its moorings in Salilda’s effervescence. And need I say that the torchbearer of this enticement was Janaki? Right from his first Malayalam outing, in which Janaki sang the memorable duet ‘kanavu neithoru’ with the late K.P. Brahmanandan, Shyam singled out Janaki to bring alive his panoramic creations….and so she did, in scintillating style. The popularity enjoyed by the songs of ‘manyasri viswamithran’ prompted Madhu to assign the music of his next venture too to Shyam and ‘akkal dhama’ (1975) had Janaki and Brahmanandan rendering the title duet. The next year had Janaki essaying diverse fare in Shyam’s music- the Mohan-Vidhubala starrer ‘njavalpazhangaL’ (1976) had 2 songs by Janaki- the solo ‘thurakoo mizhi thurakkoo’ and the duet ‘ammE ammE makkaL’ with Jayachandran. The Kamalhasan-Madhu-Srividya starrer ‘samasya’ had songs composed by K.P. Udhayabhanu and Shyam. Janaki sang the solo ‘adithottu mudiyOlam’ for Shyam. Glowing quietly with the pious fervour of Janaki, the mellifluous song has long outgrown its filmy origins and over the years acquired an aura as a mandatory anthem in religious festivities.


Listen to ‘adithottu mudiyOlam’ from samasya (1976)
Sung by S. Janaki
Lyrics by P.Bhaskaran
Music by Shyam


‘saritha’ came out in 1977 with Janaki singing ‘hEmanthathin’ for Shyam. 1977 also saw the coming together of Shyam and Director I.V. Sasi, a partnership that would bring may unforgettable albums. ‘abhinivEsam’ with Jayan, Ravikumar, Soman, Sumitra and Padmapriya in its cast was the first movie that Shyam worked for I.V. Sasi. It had the popular Yesudas- Janaki duet ‘mareechikE mareechikE’. Endowed with the haunting signatures that we joyfully associate with Shyam, the song has earned itself a place of pride in the list of most popular duets of Yesudas and Janaki. Listen to Janaki take over a complete interlude!


Listen to ‘mareechikE mareechikE’ from abhinivEsam (1977)
Sung by Yesudas & S. Janaki
Lyrics by Sreekumaran Thampi
Music by Shyam


Shyam had become the in-house composer for Madhu, and their next venture ‘dheera sameerE yamuna theerE’ (1977) had Janaki and Yesudas singing the title track, and Janaki rendering the solo ‘manassintE thalukkalkidaiyil’.


The late 70s and early 80s were the golden years in Shyam’s career, and most of Shyam’s 200 odd Malayalam albums would come under these glorious years. Since Janaki was an inevitable presence in many of them, it warrants pages of panegyrics if we were to dwell at length on all hers songs for Shyam. In view of this, I will, albeit regretfully, mention here only few samples of the enduring Janaki-Shyam collaborations. ‘rathilayam rathilayam’ with Yesudas (asthamayam/1978), ‘mEdamasakkalam’ (enikku njyan swantham/1979), ‘kanathE nee vannu’ (ini yathra/1979), ‘OrmakaLil’, a rare SPB- Janaki duet and the melancholic Janaki solo ‘mouna raaga painkiLiyE’ (sudhikalasam/1979), ‘paLLiyankanathail’ (kanthavalayam/1980), ‘kaNNum kaNNum’ with Yesudas and ‘Life is just like’ with Jomon (angaadi/1980), ‘kaNNil kaNNil nOkiyirunaal’ with Yesudas (nayattu/1980), ‘usha malarE’ (aswaradham/1980), ‘chanchal noopura thaaLam’ (hamsageetham/1981), ‘Ormavacha naaL muthal’ with Yesudas and ‘makanE vaa’ (ammakkorumma/1981), ‘ee pattinnu chirakukaL’ (grihalakshmi/1981), ‘manjE vaa madhu vidhu vELa’ with Yesudas & SPB (thusharam/1981)- the Malayalam original of ‘paniyE vaa panju mazhaiyE vaa’, ‘prEmaraagam paadivannoru’ (kadathu/1981)… hands may tire trying to list the wonders that Shyam wrought in Janaki’s honeyed vocals, but the heart seems to thirst for more and more…


And as though to quench this craving came I.V.Sasi’s ‘trishna’ starring Mammootty, Ratish, Swapna and Rajalakshmi. With a wave of a wand called Janaki the spell that Shyam cast in Yaman Kalyan ‘shruthiyil ninnuyarum naadha shalabangaLE’ leaves the listeners in a tantalizing trance. But come out of it soon, for even more delightful is the enchantment that is ‘mainaakam’. mainakam is said to be the name of the winged undersea mountain that we encounter in our epics, and just like that mythical mountain that was endowed with magical powers, this song is nothing short of a miracle….Oh, mere words cannot do justice to describe the simple beauty of the composition… Shyam’s concepts that reflect a happy marriage of MSV’s art with Salilda’s craft were never so perfectly aligned in their elements. And the mesmerizing magic of Janaki was never so bewitching in its expanse…. I have been listening to this song for over a quarter century now…. and I surprise myself even now by detecting some dainty Janaki flourish that that was hitherto hidden to me… Close encounters of the ethereal kind…


Listen to ‘mainaakam’ from trishna (1981)
Sung by S. Janaki
Lyrics by Bichu Thirumala
Music by Shyam


niRam maaRunna nimishangaL aa divasam, idiyum minnalum, sindoorasandhyekku moounam, aadarsam, enthinO pookkunna pookkaL, aarambam, innallenkil naaLE, veLicham vidarunna peNkutti, John Jaffer Janardhan- all these are Shyam’s albums of 1982 wherein the honours lay with Janaki. The same year I.V. Sasi came with his controversial ‘ee naadu’. But even in the midst of the serious proceedings, Shyam inserted a rumbustious carnival…. a wedding song that solemnizes the nuptials in the three religions… Yesudas rocks in the maapla opening, J.M. Raju then woos his bride, and Jayachandran finally completes the pretty picture with ‘thaaLam, mELam, naadhaswaram’… need I say that Janaki is the bride in all the faiths, having an absolute blast… I have read that the song became hugely popular and was blared at every wedding at that time…


Listen to ‘ambili manavaatti’ from eenaadu
Sung by S. Janaki, Yesudas, J.M. Raju, Jayachandran & Chorus
Lyrics by Yusuf Ali Kacheri
Music by Shyam


1983 brought with it so many treasures from the Shyam- Janaki team like ‘thErirangi idhilE varoo’ with Jayachandran (America America), ‘sundaramaam kanmunayal’ and ‘nee varillE’ (theeram thedunna thira), ‘Romeo Juliet’ with Krishnachandran (enginE nee maRakkum), ‘kanni thennal pOlE’ with Yesudas (bandham), ‘paradEsakkaaranO’ with Jolly Abraham & Unni Menin (adhipatyam), ‘mounam raagam manassO’ with Yesudas (iniyengilum) and ‘lily pookkaLaadum’ with Jayachandran (himam). And as for 1984, it was even more special, for it brought in its wake another delectable treat served by the composer and singer in I.V. Sasi’s ‘kanamarayathu’ starring Mammootty, Rahman, Seema & Shobhana. Languid and graceful in its flow, ‘kastoorimaan kurunne’ is but a wistful reminder of a past when life itself was uncomplicated and unhurried…


Listen to ‘kasturimaan karunne’ from kanamarayathu (1984)
Sung by S. Janaki
Lyrics by Bichu Thirumala
Music by Shyam


‘karutha thOnikkaara’ (aksharangaL), ‘entE manOmayee’ with Yesudas and ‘vinnin veLLippookkaL’ (inakkiLi), ‘chilangE’ (oru sumangaliyudE katha), ‘nilaavin poigayil’ with Yesudas (kodathi), ‘alli malar’ (aaLkoottathil thaniyE) and ‘thalarannu Oridam tharoo’ (chakkarayumma) were songs that hogged the airwaves all through 1984. And in the same year came the musical ‘sandhyekkenthinu sindhooram’ starring Mammootty, Nedumudi Venu and Seema, with an endearing cameo by Balamuralikrishna. Shyam had worked to create a classical treatise, and while Yesudas and Balamuralikrishna lit up the album with their scholarly performances, it was Janaki with her nonchalant artistry who bestowed upon the album a boon of immortality with her ‘chanthamerina poovilum’, ‘marubhoomi chOdhichu’ and ‘manassin aarohanam’.


Listen to ‘manassin aarOhanam’ from sandhyekkenthinu sindhooram (1984)
Sung by S. Janaki
Lyrics by Kavalam Narayana Panicker
Music by Shyam


The following years saw albums like ee thanalil ithiri nEram, pachaveLicham, jeevantE jeevan, iniyum katha thudarum, oru sandhEsam koodi, maanyamahaajanangaLE, nilavantE naattil and moonu maasangaLukku munpu where Shyam continued to set aside some wondrous melodies for Janaki. And as in the case of many other composers, Janaki remains the female singer to have cornered the most number of Shyam’s compositions in Malayalam. Shyam does has a place of honor in the history of Malayalam film music, particularly the chapter covering the decade from the mid 70s to the mid 80s, and Yesudas and Janaki were the vocal catalysts who catapulted him to that coveted glory.

* * * *

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S.Janaki’s songs in Malayalam – Part IV


The Nightingale in God’s Own Country- Part IV


After years of composing music for stage plays of all the major theatre troupes in Kerala, the immensely talented M.K. Arjunan composed music for the movie ‘karutha pournami’ (1968) starring Madhu, Saradha and Vijayanirmala, and Janaki gave a warm welcome to the debutant by singing three of his compositions for the movie- the two solos ‘kavithayil mungi’ and ‘manathin muttathu’, and the duet with Yesudas, ‘sisuvine pOl’. The next year saw Janaki and Jayachandran serving that unforgettable concoction in Kaapi, ‘yamunE prEma yamunE …yadukula rathidEvan evidE evidE…’ for K.P. Kottakkara’s movie ‘Rest House’. The same movie also had a haunting Janaki solo, ‘vasanthamE variyEriyoo’. ‘kasithetti poovinoru’ (raktha pushpam/1970), ‘pranaya sarOvaramE’ (CID Nazeer/1971), ‘thulavarsha mEghangaL’ (anvEshanam/1972) were songs sung by Janaki for Arjunan that fetched both the singer and the composer accolades. 1973 saw Janaki singing songs of diverse delights in numerous albums of Arjunan such as ‘panchavadi’, ‘padmavyooham’, ajnathavasam’, ‘Ragging’ and ‘pachanOttukkaL’. ‘poo nilaavE vaa’, the lullaby that Janaki rendered in the 1975 movie ‘padmaragam’ would find place among Arjunan’s best compositions. Having sung in the movie ‘kayamkulam kochunni’ in 1966, Janaki now sang in the movie ‘kayamkulam kochunniyudE makan’ in 1976, and the song ‘swapnangaL thazhikakudam’ was quite popular in its time. In the following years, Arjunan formed a winning partnership with Vani Jairam and many of his wonderful compositions went to the accomplished Vani. Nonetheless, Arjunan did set aside some delectable treats for Janaki such as ‘thaarunya pushpavanathil thaLirththallO paarijaatham’ with Jayachandran (madhuraswapnam/1977), ‘maavu pooththu’ (kaathirunna nimisham/1978), ‘pramada vanathail’ (irumbazhikaL/1979), ‘saptha parapanjam’ (karipuraNda jeevithangaL/1980), ‘ee raavil nintE kaamukiyavam’ (oothikaacchiya ponnu/1981), ‘kaayal karayil’ (kayam/1982), ‘thudakkam’ (manassoru mahasamudram/1983) …

* * * *


Guarded with fierce possessiveness by TFM, M.S. Viswanathan had little time to venture into other languages, including his mother tongue. Nevertheless, his limited forays in Malayalam fetched him unlimited fame. And Janaki was sought repeatedly by the Mellisai Mannar to bring to life his enticing Malayalam compositions. ‘aa nimishathintE nirvridiyil naan’ from the chandrakantham (1974, scripted and directed by Sreekumaran Thampi) is one such spellbinding semi-classical number that the master crafted in two versions, one by Yesudas and the other in the Janaki’s dulcet tones. ‘jeevikkaan maRannupOya sthree’ (1974) starring Soman, Mohan, Sheela and Kanchana, based on a famous novel by Vettoor Raman Nair and directed by K.S. Sethumadhavan is a movie all but forgotten, except for its songs written by Vayalar and set to tune by MSV, foremost among which are the two versions, one by Yesudas and the other by Janaki of ‘veeNa poovE’.


Listen to ‘veeNa poovE’ from jeevikkaan maRannupOya sthree (1974)
Sung by S. Janaki
Lyrics by Vayalar
Music by M.S.Viswanthan


‘malineethadamE’ is another marvel crafted by MSV and sung by Janaki for the same movie. ‘aval oru thodarkathai’ was dubbed into Malayalam, and Janaki repeated her magic in ‘kaNNilE’. Yesudas and Janaki got to render two duets, ‘manasoru swapnakhani’ and ‘chanchalitha’ for MSV in the Prem Nazeer- Jayabharathi starrer ‘dharmakshEtrE kurukshEtrE’ (1975). Janaki sang two haunting solos ‘nisheedhini nisheedhini’ and ‘pOkam namakku’ under MSV’s baton in Sheela’s supernatural thriller ‘yakshagaanam’ (1976); Janaki would haunt the Tamil populace with ‘venmghamE’ set in the same tune as ‘nisheedhini’ in the Tamil remake ‘aayiram jenmangaL’ two years later. ‘aavaNi poorna’ with Jayachandran (kuttavum sikshayum/1976), ‘vasanthamE nee vannu’ (hrudayamE saakshi/1977), ‘manasaoru thaamarapoika’ (akshayapaathram/1977), ‘sarathkaala chandrika’ (etha oru manushyan/1978), ‘mukilugaLE’ (velluviLi/1978), ‘janmam thEdiyathenthinu seetha’ (sundarimaarudE swapnangaL/1978) are some songs that linger in memory in this partnership. In the movie raNdiloNNu (1978), MSV sang an alluring duet with Janaki, ‘panchavan kaattilE’. vaadaka veedu, pathivritha, maNi kOya kuRuppu (all 1979), Lorry, swargadEvatha, thirakal ezhuthiya kavitha- the dubbed version of marO charitra, (all 1980), kOLiLakkam (1981) are albums wherein Janaki sang some of the master’s scintillating compositions.


Based on a story by Vijayan Karottu, Bharathan’s 1982 classic ‘marmaram’ starring Nedumudi Venu and Jalaja had music by MSV and the master extracted from Janaki some outstanding songs; while her ‘vattathil vattaram’, and ‘Om..iruLin thuyilunarum manthiram’ zoomed to the top of the popularity charts, it is the heavenly Hindolam delight ‘karNaamrutham kaNNanu’ that makes me sigh in ecstasy. When MSV beckons with rapturous plucking on the strings of the veena, Janaki responds with a rousing rendition…


Listen to ‘karNaamrutham kaNNanu’ from marmaram (1982)
Sung by S. Janaki
Lyrics by Kavalam Narayana Panicker
Music by M.S. Viswanathan


Not content with his largesse of giving her 3 solos in ‘marmaram’, the master also crafted for the same movie a mellifluous Janaki- Unni Menon, ‘angam prathi anangam’. In the waning years of his illustrious career, MSV summoned Janaki repeatedly for his Malayalam ventures such as kaikEyi (1983), minimOL vathikkaanil, athiraathiram, thennal thedunna poovu (all 1984), priyamvadakkoru praNayageetham, bhagavaan (both 1986) and ammE bhagavathi (1987). Even as late as 1990, Janaki sang ‘chalanam jwalanam’ for MSV in Bhadran’s story of a clairvoyant ‘Iyer The Great’ starring Mamootty, Shobhana and Geetha.


Listen to ‘chalanam jwalanam’ from Iyer The Great (1990)
Sung by S. Janaki
Lyrics by Poovachal Khader
Music by M.S. Viswanathan

* * * *


Shankar-Ganesh were greatly in demand in TFM, throughout the 70s and the first half of the 80s. And it must have been the immense goodwill that they enjoyed with filmmakers that landed them with some opportunities to compose music for movies other languages, especially Kannada and Malayalam. A quick look at few of their works in Malayalam reveals that S-G gave Janaki some memorable souvenirs to cherish from their repertoire therein. Thoppil Bhasi’s 1974 movie ‘chakravaakam’ starring Prem Nazeer and Sujatha had Janaki singing the enticing ‘makayiram nakshatiram’ for S-G. ‘arama dEvathamaarE’ from the 1979 movie ‘prabhu’ is another winner that S-G presented in Janaki’s vocals. ‘Love in Singapore’ (1980) had two Jayachandran-Janaki duets, ‘thaalalayam’ and ‘nyaan raja’ tuned by S-G that find place regularly in TV and radio programs featuring listeners’ requests. The Prem Nazeer- Rani Padmini starrer ‘sangarsham’ (1981) had Janaki singing two duets in S-G’s music- one with Yesudas, ‘thoomanjil mungi’ and one with Jayachandran, ‘kaNdu kaNdarinju’. ‘ee raavil nyaan’ from the Kamalahasan starrer ‘maattuvin chattangaLE’ (1982) and ‘pala pooththu’ from A. Vincent’s ‘pournami raavil’ (1985) are other songs from the SJ/S-G collaboration that linger on in memory.

* * * *


During his years under the tutelage of G.K. Venkatesh, Ilaiyaraja had witnessed firsthand the astute comprehension skills, remarkable range and versatility of Janaki. Janaki was GKV’s favorite singer and Ilaiyaraja had always found his interactions with Janaki highly enriching, for she was totally devoid of airs and delivered the desired nuances with disarming ease. During those years, IR was playing the guitar and combo-organ regularly for many Malayalam composers as well, and observed the high regard that even revered stalwarts like Dakshinamoorthi Swami held for Janaki. During the recording sessions with Swami, IR had opportunities aplenty to observe the effortlessness with which Janaki got the intricacies of Swami’s compositions right and the wholesome praise that came from the venerable Guru.


Janaki too found a kindred soul in IR, for even as an assistant, IR had impressed her with the meticulous manner in which he would explain to her the notes and nuances. The rapport that developed thus between IR and Janaki paved the way for a magnificent alliance when IR arrived with ‘annakkiLi’, the album that rewrote history. Those momentous years saw IR reserving his choicest creations for Janaki, and the singer struck gold every time she brought alive with iridescent hues IR’s captivating canvas. And over the decades, Janaki has quite understandably remained the singer to have rendered the most number of IR’s compositions.


Ilaiyaraja’s tryst with Malayalam cinema has been truly memorable, and given his avowed fascination for Janaki’s voice and a rightful trust in her capabilities, it was but natural that the Isaignani summoned his prima donna to render some of his finest compositions in Malayalam. Malayalam moviegoers first got a tantalizing taste of a slice of the IR magic when Devaraj- Mohan’s 1976 Tamil movie ‘uRavaadum nenjam’ was dubbed in Malayalam in 1978 as ‘aaRu maNikkoor’. The famed SPB- Janaki duet ‘oru naaL unnOdu oru naaL’ was rewritten in Malayalam by Mankombu Gopalakrishnan, and this time Janaki teamed up with Yesudas to render ‘oru naaL ullasa thirunaaL’.


Listen to ‘oru naaL ullasa thirunaaL’ from aaRu maNikkoor (1978)
Sung by Yesudas & Janaki
Lyrics by Mankombu Gopalakrishnan
Music by Ilaiyaraja


In the same year, K.G. George called upon Ilaiyaraja to compose music for his movie ‘vyamOham’. Starring Adoor Bhasi, Mohan and Lakshmi, the movie was a remake of Sridhar’s ‘pOlicekaaran magaL’. The album has Janaki singing the dainty ‘poovadikalil’ (solo version and duet version with Yesudas), and ‘neeyO nyaanO’ with Jayachandran. Replete with the early orchestral wonders of IR, the songs are keepsakes of an alluring era of film music.


Listen to ‘poovadikalil’ from vyamOham (1978)
Sung by Yesudas & Janaki
Lyrics by Dr. Pavithran
Music by Ilaiyaraja


‘paalaruvi paadivaru’ from dhooram arikE (1980) is another early IR-Janaki delight. paneer pushpangaL found its way to Malayalam as panineer pookkaL (1981), and Janaki sang ‘poonthaLir aadi’ with Yesudas. Another IR album that is monopolized by Janaki is ‘garjanam’ (1984), dubbed from Rajnikant’s ‘garjanai’. The year 1982 holds an exalted place in the chronicle of the IR-Janaki partnership; two albums that were sheer magic came out that year… One was ‘aalOlam’ starring K.R. Vijaya, Gopi and Nedumudi Venu. Janaki had two beautiful solos in ‘aalOlam’- ‘thanal virikkan kuda nivarthum’ and ‘veeNe veenE’ on which four years later IR would build his ‘oNNaa reNdaa thamaparippoo’ (thazhuvaatha kaigaL).


Listen to ‘veeNE veeNE’ from aalOlam (1982)
Sung by S. Janaki
Lyrics by Kavalam Narayana Panicker
Music by Ilaiyaraja


The other album of 1982 that I am referring to is, of course, OlangaL. Balumahendra roped in Amol Palekar, Poornima Jairam and Ambika for his take on Erich Segal’s ‘Man, Woman and Child’, and for this ‘OlangaL’, Ilaiyaraja went to town with the immortal tune ‘thumbi vaa’. And who else but Janaki could perceive the scintillating vistas envisaged by the maestro and render that aural extravaganza! IR was so besotted by the tune that he reused in other languages as well, with Janaki rendering them again and again, and yet again. I have a colleague from Kerala here who has retained this tune as his mobile ring tone, and every time he receives a call, all my carefully drawn up work schedules go haywire, for I soar to a faraway world of enchantment where time seems to stand still and the mere thought of work would seem blasphemous…


Listen to ‘thumbi vaa’ from OlangaL (1982)
Sung by S. Janaki
Lyrics by O.N.V. Kurup
Music by Ilaiyaraja


‘vezhambal kElum vEnal kudeeram’ is another treasure that the album stores, this one by Yesudas supported superbly by Janaki’s humming. ‘aa raathri’ (1983) directed by Joshi, with Mammootty, Rathish and Poornima Jairam in its cast is another memorable IR album. Whilst the Yesudas- Janaki duet ‘ee neelima than charuthaiyil’ is certainly pleasing, it was the Janaki solo ‘kiLiyE kiLiyE’ that found repeated airtime. ‘manjaLum kuLirum’ with Krishnachandran (sandhyakku virinja poovu/1983) and ‘priyanE uyir neeyE’ with Yesudas (pin nilaavu/1983) are two dazzling duets that defy the ravages of time. K. Vishwanath’s grand musical ‘saagara sangamam’ was dubbed in Tamil as ‘salangai oli’, while it retained its original name for the Malayalam version. Janaki was the mainstay of IR’s wonderful album in all the languages. If in ‘mounamaan nEram’, Janaki was wooed by SPB, in ‘mounam pOlum madhuram’ it is the tender timber of Jayachandran that pleads to Janaki for succor.


Listen to ‘mounam pOlum madhuram’ from saagara sangamam (1983)
Sung by Jayachandran & S. Janaki
Lyrics by Sreekumaran Thampi
Music by Ilaiyaraja


Balumahendra returned to Malayalam cinema with a remake of his Kannada movie ‘kOkila. Titled ‘oomakkuyil’, this movie had Y.G. Mahendran, Aruna and Poornima Jairam essaying the lead roles. ‘thaazhampoothali nin’ (Janaki), ‘OrmagaLE koode varoo’ (Yesudas & Janaki) and ‘kaattE kaattE’ (Jayachandran, Krishnachandran & Janaki) were songs crafted by IR that were heard all day long. The 1984 movie ‘onnanu nammal’ starring Mammootty, Mohanlal, Seema and Poornima Jairam had two duets, ‘kalkkandam chundil’ and ‘vaalittezhuthiya’ by Yesudas and Janaki that showcased IR’s renowned orchestral brilliance.


Appachan’s Navodaya came out with the enterprising 3D movie ‘My Dear Kuttichathan’ in 1984. Directed by Jijo and having the child actors Suresh, Sonia and Arvind in the lead, the movie was a splendid success and was dubbed into several other languages as well. I still remember watching it as a school kid agog with curiosity, and the hugely entertaining movie was all a child could ask for and more… If Ilaiyaraja’s awesome BGM was the talk of the town, his songs were no less… Janaki and Shailaja delighted us with their ‘aalippazham perukkaan’… Interestingly, IR had the Tamil version ‘chinna kuzhandhaigaLE’ sung by Vani Jairam and Sujatha.


Listen to ‘aalippazham perukkaan’ from My Dear Kuttichathan (1984)
Sung by S. Janaki & S.P. Shailaja
Lyrics by Bichu Thirumala
Music by Ilaiyaraja


Fresh from his directorial debut with the Kannada movie ‘pallavi anupallavi’, Mani Ratnam ventured into Malayalam cinema in 1984 with a bold look at the trade union movement. Titled ‘unaroo’, the movie starred Mohanlal, Sukumaran, Ratish, Deepa and Satyakala. Janaki sang the enthralling ‘theeram thEdi Olam paadi’, which IR structured on his own ‘rOja ondRu muththam kEtkkum’ (kombErimookkan). The other song ‘deepamE’ is a boisterous joyride with Janaki making merry with Krishnachandran and Anto. Balumahendra made his third sojourn with ‘yaathra’ (1985) with Mammootty and Shobhana, and here again IR saves for Janaki the feet-tapping delight ‘yamunE ninnudE nenjil’


Listen to ‘yamunE ninnudE’ from yaathra (1985)
Sung by S. Janaki & chorus
Lyrics by O.N.V. Kurup
Music by Ilaiyaraja


Director Bhadran came out with ‘poomukhapadiyil ninnEyum kaththu’ starring Mammootty, Mohanlal, Rehman, Sulakshana and Srividya in 1986. Music was by IR; Janaki and Yesudas sang the haunting ‘konchi karayallE’…


Listen to ‘konchi karayallE’ from poomukhapadiyil ninnEyum kaththu (1986)
Sung by Yesudas & S. Janaki
Lyrics by Bichu Thirumala
Music by Ilaiyaraja


The other song ‘poonkkaatinOdum kiLikaLOdum’ is again a soothing Yesudas caress, with Janaki chipping in with a bewitching humming…


After a break of 6 years, IR and Janaki got together in Malayalam again in 1992 with Faazil’s ‘pappayudE swantham appoos’. Mammootty, Shobhana, Master Badshah and Suresh Gopi were in the cast. As in the case of each work of IR for Faazil, the movie had some exceptional songs, with two of them coming Janaki’s way. Even while portraying grief, Janaki is statuesque and stately in the poignant lullaby ‘en poovE pon poovE’.


Listen to ‘en poovE pon poovE’ from pappayudE swantham appoos (1992)
Sung by S. Janaki
Lyrics by Bichu Thirumala
Music by Ilaiyaraja


The other Janaki solo from the album is the one that assumed the halo of an anthem for a while… such was its popularity… ‘Olathumbathilum ooyalaadum chellapayinkiLi’ the heartwarming visuals of a mother’s frolicsome capers to amuse her little son … she gives the child a bath, feeds him, plays with him, prays for his long life and health, dreams of the grand triumphs that await him…. Janaki bubbles with the rapture and warmth of motherhood… The album also has Yesudas singing another version of the song. The movie was dubbed in Tamil as ‘poovE pon poovE’, and the Tamil equivalent of the song is ‘sOlaipoondhendRalil oonjaladum chella painkiLi’ .


Listen to ‘Olathumbathilum’ from pappayudE swantham appoos (1992)
Sung by S. Janaki
Lyrics by Bichu Thirumala
Music by Ilaiyaraja


Ilaiyaraja’s subsequent Malayalam albums did not feature Janaki. Nevertheless, their collaboration has yielded some of the finest moments of Malayalam film music; each song is an exquisite paradigm of perfection…. they are eternal mementos of the extraordinary empathy that existed between the composer and singer…

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S.Janaki’s songs in Malayalam – Part III


The Nightingale in God’s Own Country- Part III


The following decades brought halcyon years in Janaki’s career in Malayalam cinema, with her remaining happily ensconced in her enviable position as the most prolific female singer therein. All the music composers of the time flocked to Janaki and rejoiced when she brought their painstaking works to pulsating life.


Composers from Bombay who worked for Malayalam movies singled out Janaki to render their songs. In the late 60s and early 70s, Tarachand Bharjatya decided to venture south and dubbed 3 Hindi successes of his Rajshri Productions in Malayalam. The first in this series was the 1967 hit ‘taqdeer’ starring Bharat Bhushan, Shalini, Kamal Kapoor and Fareeda Jalal. Laxmikant-Pyarelal, who had composed the score for ‘taqdeer’, recorded the songs in the same tunes for the Malayalam version titled ‘vidhi’ (1967). P.Bhaskaran wrote the lyrics for the tunes and when Janaki sang Lata’s ‘jab jab bahaar aayi’ as ‘amirtam pakarna raathri’, the song cast aside the slur of a dubbed tune and fetched repeated airtime. Janaki’s two other songs on the movie, ‘aayiram chirakuLLa’ and ‘nandhavanathilE pushpangaLE’ also equaled, if not bettered the charm of the originals, and Laxmikant-Pyarelal were besotted with this dulcet diva of the South. The 1970 Dharmendra- Rakhee starrer ‘jeevan mrityu’ was the next Rajshri movie in this series to be dubbed in Malayalam. Titled ‘jeevitha samaram’ and released in 1971, the movie had L-P reworking their tunes again, and this time too, they picked on Janaki to replicate Lata’s magic in the two versions of ‘jhilmil sitarOn ka’. Janaki met their expectations and more with the both the happy (with Yesudas) and pathos rendition of ‘chinnum ventharathin.’ Bharjatya then dubbed the 1971 movie ‘uphaar’ starring Jaya Bhaduri and Swarup Dutt as ‘upahaaram’ (1972). Janaki summons vistas of forlorn loneliness in her ‘pirinju pOi sakhee’ (Lata’s ‘sooni rE nagariyaa’ ).


Producer T.E. Vasudevan decided to get the songs of his Prem Nazeer- Sheela starrer ‘moodal manju’ (1970) composed by Usha Khanna. P. Bhaskaran wrote the lyrics for the songs and Janaki traveled to Bombay where the songs were being recorded. Unfortunately, she fell ill immediately on arrival. However, Usha Khanna was determined that only Janaki should sing the songs, and ever the through professional, Janaki went to the studio. She remained lying on a couch in the recording theater, but when summoned, she did get up to sing and three solos were recorded one after another, without a single retake! The stunned Usha Khanna and her spellbound orchestra gave the singer a standing ovation, and Janaki responded with a wan smile before falling back exhaustedly on the couch. The three songs ‘maanasa manivEnuvil’, ‘unarau vEgam nee’ and ‘mukilE viNNilaayum kaNNeeru’ became immensely popular and find frequent airtime to this day.


Listen to ‘maanasa maNi vEnuvil’ from moodalmanju (1970)
Sung by S. Janaki
Lyrics by P. Bhaskaran
Music by Usha Khanna


Listen to ‘unaru vEgam nee’ from modalmanju (1970)
Sung by S. Janaki
Lyrics by P. Bhaskaran
Music by Usha Khanna


Salil Chowdhury came to Madras at the invitation of Ramu Kariat to compose music for ‘chemmeen’ and the immortal melodies that Salilda spun sitting in his room in Hotel Woodlands paved the way for a scintillating innings wherein Salida worked for 26 Malayalam movies, (including 4 for which he composed only the background music), spread over 3 decades. Janaki did not find place in the first 2 Malayalam albums of Salilda, wherein P. Leela was predominant female voice. Salil’s third Malayalam movie was ‘abhayam’ (1970) for which he composed only the background music, the songs being composed by V. Dakshinamoorthi. Salilda must have been impressed with ‘neeraadalathagriham’, the song that Janaki sang for Swami in ‘abhayam’, for when his next project ‘swapnam’ came up, he got Janaki to sing 2 diversely delightful solos. ‘swapnam’ (1973) was directed by Babu Nandancode and starred Madhu, Sudhir, Ranichandra and Nandita Bose. The album had 5 songs- all of them solos- Vani Jairam had a beautiful solo ‘sourayoodahathil’ and Yesudas sang ‘maanE maanE’ and ‘nee varoo kavya dEvathE’. Salilda called Janaki to sing the 2 other solos. And what memsmerizing marvels they were! ‘mazhavil kodi kaavadi’ was based on his own ‘nisi din nisi din’ (Lata in ‘annadata’), which in turn traced its original to Lata’s Bengali non-film song for Salilda ‘nishi din nishi din’. Opening with the bewitching call ‘kaamakkuyilE’, the song hops, skips and gallops with ‘mazhavil kodi kaavadi’, with Janaki’s infectious exuberance lighting up Salilda’s orchestration…


Listen to ‘mazhavil kodi kaavadi’ from swapnam (1973)
Sung by S. Janaki
Lyrics by O.N.V. Kurup
Music by Salil Chowdhury


The other song that Janaki sang in ‘swapnam’ was ‘saarikE en saarikE’. Salilda recycled the tune he had set Sandhya Mukherjee’s ‘jaarEjaa jaa phirjaa’ to. And 3 years after Janaki repeated the magic in ‘swapnam’, Salilda called Lata to sing the same tune in Hindi as ‘duniya rang badalti jaai’ (Jeevan Jyoti). What a haunting melody the song is, Janaki’s emotional essay framed with her inimitable light brighas linger long after the song…


Listen to ‘saarikE en saarikE’ from swapnam (1973)
Sung by S. Janaki
Lyrics by O.N.V. Kurup
Music by Salil Chowdhury


Over the years, Salilda gave Janaki many of his best compositions in Malayalam, and the singer did ample justice to Salilda’s well-placed trust. Some of the songs were based on Salilda’s earlier compositions in other languages, but Janaki brought in her own unique flourishes and that made all the difference, rendering the song sparkling new. In the 1975 movie ‘neelaponmaan’, Janaki sang that unforgettable solo ‘poomaala poonkuzhali’ that flows into ‘kilu kilum’ besides a duet with B. Vasanta, ‘kaNNil meenaadum’.


A. Bhimsingh remade Shakti Samanta’s 1972 movie ‘anuraag’ in Malayalam as ‘raagam’ (1975). S. D. Burman had come out with a winsome score for ‘anuraag’; nonetheless Salilda was not far behind with ‘raagam’. The Malayalam equivalent of the Rafi/Lata duet ‘wOh kya hai’ was tuned so liltingly by Salilda as ‘ividE kaattin sugantham’ and was sung by Yesudas and Janaki. Shankaran Nair’s ‘thulavarsham’ (1976) had an album that was partly V. Dakshinamoorthi’s and partly Salilda’s. Janaki was present in the works of both composers- ‘parayidukkil maNNuNdu’ with Selma George & Kamala (Dakshinamoorthi), ‘swapnadanam’ and ‘yamunE nee ozhuku’ with Yesudas (Salil). ‘muralidhara mukunda’ (aparadhi) and ‘malarkodi pOlE’ (vishukkani) were songs that hogged the airwaves in 1977. Shankaran Nair adapted Erich Seagal’s tragic ‘Love Story’ as ‘madanOlsavam’ (1978) and made Kamalhasan and Zarina Wahab play the lead roles. Salilda’s music was the highpoint of the movie- Janaki and Yesudas made a tryst with immortality when they sang the enchanting songs. While ‘ee malarkanyakaL’ by Janaki & chorus is a romantic rhapsody, when listened to in the still of the night the heartrending solo ‘sandhyE kaNNeeril enthE sandhyE’ fills one’s eyes with unbidden tears. Janaki was rightfully honoured with the Kerala State Government Award for ‘sandhyE’.


Listen to ‘sandhyE’ from madanOlsavam (1978)
Sung by S. Janaki
Lyrics by O.N.V. Kurup
Music by Salil Chowdhury


Flying high on this magnificent success, Salilda worked with Janaki in the following years and discovered each collaboration to be richly rewarding. ‘ee kaikaLi vEnozhukaan’’ (ee gaanam maRakkumO/1978) is one such delight that one can never tire of. Shankaran Nair engaged Salilda again for his 1979 movie ‘chuvanna chirakukaL’ and Janaki was at her best in ‘yaamini dEvi yaamini’ and ‘bhoomi nandini’. Released the same year, ‘prateeksha’ had the two stunners from Janaki and Salilda- ‘nerukaiyil neithottu’ that was soaked in a million yearnings and that vibrant slice of rainbow ‘kochchu kochchu swapnangaL.’ ‘manassE nin ponnambalam’ (puthia veLicham/1979) has Salilda in his rich orchestral elements and a brooding, introspective Janaki pours her heart out in each note. ‘allimalarkaavil’ from the 1982 Kamalahasan-Lakshmi starrer ‘andhi veyililE poNNu’ was probably the last song that Janaki sang for Salilda…. Janaki has the rightful place of pride in Salida’s Malayalam repertoire- she was the female singer to sing the most number of his Malayalam compositions… A wonderful partnership immortalized by unforgettable songs….

* * * *


The late A. T. Ummer was another composer who explored Janaki’s infinite range delightedly and reaped repeated successes in an association that lasted over 2 decades and gave forth more than 150 songs. Right from his first movie ‘thaLirukaL’ (1967) wherein he discovered the wondrous talent of Janaki when she sang the songs ‘pandu pandoru kaattil’ and ‘poovaadithoru’ up to the movie ‘padayani’ (1986) where he teamed her with the new star on the horizon K.S. Chithra in the duet ‘hridayam oru vallaki’, Ummer cherished Janaki as his propitious talisman and ensured that she was a perennial presence in his ensemble.


‘paraga surabhila kunkumam aNiyum’ (aalmaram/1969), ‘swarnamukilukaL swapnam kaaNum’ (vilakkappatta bandhangaL/1969), ‘mazhamukiloli vaman’ (aabhijathyam/1971), ‘kaNNaa kaarvarNaa’ (preethi/1972), ‘varillennu chollumbOl’ (thekkan kaattu/1973), ‘poomarakootilE’ (oru pidi ari/1974), ‘madhumakshikE’ (Chief Guest/1975), ‘adyasamagama lajjayil’ and ‘swayamvarathinu’, both with Yesudas (ulsavam/1976), ‘kuruvikaL Osanna paadum’ and ‘souramayookham’ with Yesudas (anubhavam/ 1976) – I am picking just few samples of Janaki’s collaborations with Ummer from each of the golden years… The melancholic ‘thushaara bindhukkaLE’ that Janaki sang for Ummer in I.V. Sashi’s Sridevi starrer ‘aalinganam’ (1976) fetched her the Kerala State Award that year. ‘neela jalasyathil’ (angeekaaram/1977) and ‘sooryanamaskaaram cheithunarum’ (adavukaL pathinettu/1978) are songs that are forever enshrined in the annals of Malayalam film music..


1978 brought with it I.V. Sashi’s ‘avaLudE raavukaL’ starring Seema. A bold and brutal look at the life of a sex worker, the movie was a runaway hit far and wide, for all the wrong reasons. Be it as it may, the movie will be remembered for another reason as well… the wonderful songs that Janaki sang for Ummer… Now, I have heard Ummer was given to lifting popular tunes from other languages at times, and this is probably true, for one of the songs that Janaki sang in ‘avaludE raavukaL’ is a straight lift from Rajesh Roshan’s ‘pal bhar mein yeh kya ho gaya’ sung by Lata in Basu Chatterjee’s 1977 movie ‘swami’. Nonetheless, Janaki gives the tune a tantalizing tint and shade with her vocals that made ‘raakEndhu kiranangaL’ one of her most popular Malayalam numbers ever.


Listen to ‘raakEndhu kirangaL’ from avaludE raavugaL (1978)
Sung by S. Janaki
Lyrics by Bichu Thirumala
Music by A. T. Ummer


‘avaludE raavugaL’ held another Janaki wonder as well- the caressing lullaby ‘unni aaraarirO’, a song that is everything a lullaby should be… gentle, soothing and pacifying, a panacea that erases all the troubles that torment one’s soul and fills one’s inner self with serene bliss…


Listen to ‘unni aarirarO’ from avaludE raavukaL
Sung by S. Janaki
Lyrics by Bichu Thirumala
Music by A. T. Ummer


The late 70s were momentous years for the Janaki- Ummer partnership- albums such as soothrakaari, snEhikkan samayamilla, pambaram, aavEsam, manasa vacha karmana, agnivyooham, pushyaragam, angakkuri all had noteworthy songs sung by Janaki. The 1980 Balachandra Menon movie ‘aniyaatha valakaL’ had Janaki essaying a ghazal-like wonder ‘oru mayil peeliyaai’ which brought home the Kerala State Award for 1980..


Listen to ‘oru mayil peeliyaai’ from aniyaatha valakaL (1980)
Sung by S. Janaki
Lyrics by Bichu Thirumala
Music by A. T. Ummer


In later years, Ummer’s career was on the wane, but he ensured that Janaki was an integral part of whatever work that came his way… ‘chinga peNNin’ (avathaaram/1981), ‘jalashankhu pushpam’ (ahimsa/1981), ‘poo virinjilla’ with Jayachandran (ina/1982), ‘dil kE kinaarE’ with P.B. Srinivas, which was written by PBS himself, and ‘moodal manjin charuthayil’ with Yesudas (thadaakam/1982), ‘ponnin pushpangaL’ (oru mukham pala mukham/1983), ‘engO engengO’ (lakshmana rEkha/1984), ‘nyaan choodiyada’ (chillukottaram/1985), ‘onnanam kunnirangivaa’ (onathumbikkoroonjal/1985), ‘mazhaiyLLa raavil’ (aaruNdividE chodikkaan/1986)…

* * * *

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S.Janaki’s songs in Malayalam – Part II


The Nightingale in God’s Own Country- Part II


Old-timers Brother Lakshmanan (sree rama pattabhishegam/1962, snapaka yOhannan/ 1963, atom bomb/1964, priyathama/1966) and LPR Varma (streehrudayam/1960, Mayor Nair/1966, sthanarthi saramma/1966, thottavadi/1973) had worked with Janaki in those heady years and reaped magnificent successes with the singer.


Ill-luck might have dogged the talented R.K. Shekhar, more popularly known today as the father of A.R. Rahman, all through his career, but he did enjoy some wonderful outings with Janaki such as ‘panchavadiyil kaNdu kaNdoru’ (pazhassiraja/ 1964), ‘pathividamnoru’ (anaadha shilpangaL/1971), ‘nisageethamE ozhuki’ (sumangali/1971), ‘pathinachithalulla pournami’ (aaradimanninte janmi/1972), ‘udukkukotti paadum’ (kaNdavaruNdO/ 1972) and ‘kaavEri kaavEri’ (kuttichaathan /1975). Little could he have imagined that Janaki would be singing for his son decades later!


Listen to ‘achchan kOvil aatilE’ from anaadha shilpangaL/1971
Sung by Jayachandran & S. Janaki
Lyrics by Sreekumaran Thampi
Music by R.K. Shekhar


T.K. Pugazhendhi stepped out of his beloved mentor’s shadow and composed music independently for few Malayalam movies, and it was producer M. A. Venu, with the blessings of K.V. Mahadevan, who persuaded Pugazhendhi to take this step when he wanted to remake his 1957 Tamil classic ‘muthalaaLi’ in Malayalam in 1965. And in his first album, also titled ‘muthalaaLi’, Pugazhendhi gave Janaki songs like ‘yethu poovu coodanum’, ‘kaniyanum vanilla’, ‘mullappoo thailamittu’- all of which became greatly popular. Following this, Pugazhendhi continued to entrust Janaki with some of his best compositions in his subsequent albums like bhagya mudhra/1967 (‘madhura prateekshathan’, ‘ethukoottil nee’), vilakuranja manushyar/1969 (‘ente kaNNil’), viththukaL/1971 (‘gOpuramukalil’), moonnu pookaL/1971 (‘thiriyothi poothiri’, ‘onnanam poomarathil’, ‘sakhi kunkumamO’), kochu aniyathi/1971 (‘sundara raavil’, ‘thinakalE pOlE chirikkunna’, ‘thayyarE thayyarE’), snEha deepamE mizhi thuRakku /1972 (‘naadakam theernu’, ‘lOkam muzhuvaan’), raakkuyil /1973 (‘innathE mOhana’, ‘shyama sundari’) and kalyaaNa sowgandhikam/1975 (‘çhandana mukilin’, ‘gaanamadhu veeNdu’). In an interview, Pugazhendhi had wholesome words of praise for Janaki, mentioning in particular Janaki’s rendering of the line ‘anuragathin aadyanOmbaram’ in the song ‘sundara raavil chandana mukilil’ (kochu aniyathi/1971).


Listen to ‘sundara raavil’ from Kochaniyathi/1971
Lyrics by Sreekumaran Thampi
Music by Pugazhendhi


R. Sudarsanam made a rare appearance in Malayalam and composed the sublime Yesudas-Janaki duets ‘chitra pournami raathiriyil’ and ‘baalyakaala sakhi’, besides the haunting Janaki solos ‘pookila nyorichu vachu’ and ‘unaru kaNNaa nee’ (kudumbam/1967).


Listen to ‘baalya kaala sakhi’from kudumbam/1967
Sung by Yesudas & S. Janaki
Lyrics by Valayalar
Music by R. Sudarsanam


Much before his famed collaborations with Adoor Gopalakrishnan, Vijayabhaskar wrought his magic in Malayalam cinema in the 60s, and knowing only too well the remarkable talents of Janaki with whom he had witnessed some stunning successes in Kannada, Vijayabhaskar worked with her in his Malayalam ventures as well- raareerO unni (kusrithi kuttan/1966), nizhalE nintE piravE (paadhira paattu/1967) and ‘dEvan thannathu’ (kayalkarayil/1968).


Though Janaki was not a Devarajan ‘regular’ in the sense P. Suseela or Madhuri were, she did have some fine moments in the early years with the master. Devarajan Maash gave the young singer a prized opportunity in the movie ‘bhaarya’ (1962) and the song ‘kaaNaan nalla kinavukaL’ became a super hit. Albums like kadalamma (1963), anna (1964), kaliyOdam, Odayil ninnu, sakunthala (all 1965), karuna, jail, kalithOzhan, thilOthamma, kalyaaNa raathiriyil (all 1966), avaL, chitramEla, nadan peNNu, pooja (all 1967), Hotel High Range, thulabharam, yakshi (all 1968), minda peNNu and nisagandhi (both 1970) had Janaki rendering some noteworthy songs for Devarajan.


Listen to ‘kaanaan nalla kinavukal’ from Bharya/1962
Lyrics by Vayalar
Music by Devarajan

* * * *


No account of Janaki’s tryst with Malayalam cinema would be complete without a mention of her songs under the baton of M.S. Baburaj. Mohammad Sabir Baburaj who would weave magic on his harmonium, had drunk deep of the ocean of Hindustani classical and his enduring works are a happy marriage of Hindustani ghazal style with Malayali folk tradition. Unassuming and soft-spoken, Baburaj, or Babuka as he was addressed with affection, was an eternal romantic whose tunes were simple, uncluttered and straight from the heart, holding generations of listeners in spellbound rapture. He breathed his last fairly young, but he has breathed his life and soul into his works which sing a song of eternal melody.


And when the formidable team of lyricist P. Bhaskaran and composer M.S. Baburaj got together with Janaki in the early 60s, they ushered in a golden era of immortal music. The mighty P. Bhaskaran has gone on record many a time professing his admiration for Janaki. And as for Babuka, the rapport that he shared with Janaki was something very, very special. True, Janaki did not find place in Babuka’s first 8 albums, but when he did discover her, it was like he had known her all his life. He is said to have wondered aloud if Janaki and he had been nightingales singing together in the same garden in some earlier incarnation! Even so many years after Baburaj’s demise, when Janaki spoke about him in the programme ‘sangeetha sagaram’ (2003/ Asianet), her eyes brimmed with tears as she uttered emotion-choked words of fond memories. I remember reading the Baburaj- Janaki relationship being likened to the Madanmohan- Lata collaboration- such was the sheer magic of the union.


The caressing ‘thaLiritta kinaakkaL’ (moodupadam/1963), that mirrors so evocatively the ache of being in love, set the stage for this magnificent alliance, and what a stupendous success it was! Baburaj followed it with a Meera Bhajan, ‘maithO ghumguru’ (ninamaninja kalpadukaL/1963) and Janaki essayed it with divine enchantment. The duet ‘yEzhu niRangaLumillathE’ by Kamukara and Janaki that Baburaj composed for ‘karutha kai’/1964 ruled the airwaves for a long while, just as Janaki’s solo ‘paalappoovin parimalam’ from the same movie did. When the salt-laden sea breeze acquires a dreamy mystique, the ensuing amalgam yields a miracle like ‘anjana kaNNezhuthi’ (thachOli othenan/1964). The P. Bhaskaran- A. Vincent collaboration ‘bhargavi nilayam’ /1964 had an amazing album by Babuka- Janaki had 4 songs, all of them haunting melodies- the bright and breezy ‘anuraga madhu chashakam’, ‘vasantha panchami naaLil’ which makes one sigh in quiet bliss, ‘pottirthakarna kivaukondoru’ and ‘pottatha peNNin kinaavu’, where Baburaj’s sepulchral interludes join hands with Janaki’s haunting vocals to give one the goose bumps. My eyes turn misty with an inexplicable surge of emotions whenever I listen to ‘sooryakanthi sooryakanthi’ (kaattu thulasi/1965). Songs such as ‘thEdunadhaarE shoonyathayil eeran mizhikale’ (ammu/1965), ‘pavizhakkunnil’(mayaavi/1965), ‘amaravathiyil’ (kanakachilanga/1966), ‘oru kochu swapnathil ’(tharavattamma/1966), tug at the heartstrings of the listener with exquisite longings. Truly, Baburaj seems to have been the discerning pioneer to harness to the fullest the dulcet talents of the young Janaki.


The P. Bhaskaran- M.T. Vasudeva Nair venture ‘irittintE aathamavu’ (1966) holds a special place of pride in Janaki’s discography, for the album had four songs, all of them female solos, and Janaki created a record when Babuka made her render all four- thus Janaki became the first singer to sing all the songs in a Malayalam movie. The songs in the movie, all by Janaki, were ‘eeranuduthum kondambaram’, ‘ambadikannanu mambazham’, ‘írukaNNeer thulikaL oru sundariyute’ and ‘vakacharthu kazhinjoru’. ‘avidunen gaanam kElkaan’ (pareeksha/1967) is another Babuka- Janaki miracle. Another movie in the same year, ‘anvEshichu kandEthiyilla’ had 4 wonderful songs from the prolific partnership- 3 Janaki solos – ‘thamara kumbilallO’, ‘murivaalan kurangachan’ and ‘kavilathe kaNNeer kaNdu’ and the Janaki- B. Vasanta duet ‘pavanamam’. ‘baalyakala sakhi’ is another 1967 album (oh, what wonderful years these seem to have been for music connoisseurs!) that had unforgettable songs like the Janaki solo ‘oru koottam njaaninnu cheviyil chollaam’ and the PBS- Janaki duet ‘nin rakthamente’. ‘ezhuthiyayaraanu sujatha’ is such a quaint Yesudas- Janaki duet from yet another 1967 movie, ‘udyOgastha’, which had three delightful Janaki solos as well- ‘saraNam nin charaNam’, ‘mankidaavinE’ and ‘thankam vegam’.


Over the years, Baburaj and Janaki spread a delectable feast that one can never partake enough of. ‘pathinEzhilyethiya paruvam’ (anju sundarikaL/1968) aaradhikaiyudE’ (manaswini/1968) ‘kanavil njaan theertha’ (Inspector/ 1968), ‘asthamaana kadalinakkalE’ (sandhya/1969), ‘muttathEmullathan’ and the duet with C.O. Anto ‘innalE nyaan oru swapnasalabha’ (virunnukkari/ 1969), ‘hEmantha nidrayil’ (anaadha/1970), ‘thaanE thirinjum marinjum’ (ambalapRaavu/1970), ‘idakkonu chirichu’ (olavum theeravum/1970), ‘kaNNoNNu thirakkoo’ (duet with P. Leela) and the solos ‘vinnilE kavil’, ‘aadanum maRayaan’ ‘kaNNeer aloru’ (priya/1970), ‘vaarmazhavillintE vanamaala vilkkunna ’ (raathri vaNdi/1971), ‘vanaroOdanam kettuvO’ (Ernakulam Junction/1971), ‘aayiram varNangaL vidarum aaramam’ (puLLimaan/ 1972- Janaki won the State Award for this one), ‘hrudayathil nirayunna’ (chuzhi/1973), ‘kaalindi thadatthile raadha’ (bhadradeepam/1973), ‘krishna krishna dayamaya’ (manassu/1973), ‘’yEsu maathaavE janani’ (nathoon/1974), ‘manassE aswasikku’ (njaan ninne prEmikkunnu/1975), ‘nithyamuki ninnE’ (shrishti/1976), ‘maanatthu sandhya kolutthiya’ (yatheem/1977)…songs of unparalleled allure that ensured that Janaki stayed perched as the front ranking female singer of Malayalam cinema.


In a survey conducted in Kerala on the 12 most popular songs ever in the history of Malayalam cinema, Yesudas understandably swept the polls, with 8 solos and one duet with P. Leela making it in the final list. Janaki was the only other singer who made it to the top 12, with 3 of her solos, and two of them were composed by Baburaj- ‘sooryakanthi’ (kaattu thulasi) comes a valiant 3rd in the list of 12, while ‘thaLiritta kinaakkaL’ (moodupadam) makes it to the 8th position.


Details of the survey here:


http://www.hinduonnet.com/thehindu/mp/2006/08/03/stories/2006080301870100.htm


Listen to some glittering instances of the famed Baburaj- Janaki collaboration:


‘thaLiritta kinaakkaL’ (moodupadam/1963) – Lyrics by P. Bhaskaran


‘anjana kaNNezhuthi’ (thachOli othenan/1964) – Lyrics by P. Bhaskaran


‘pottatha peNNin kinaavu’ (bhargavi nilayam/1964) – Lyrics by P. Bhaskaran


‘sooryakanthi sooryakanthi’ (kaattu thulasi/1965) – Lyrics by Vayalar


‘thamara kumbilallO’ (anvEshichu kandethiyilla/1967) – Lyrics by P. Bhaskaran

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S.Janaki’s songs in Malayalam – Part I


The Nightingale in God’s Own Country- Part 1


I promised I would return with a sequel to the ‘Ode to a Nightingale’ that had appeared in April to celebrate Janaki’s birthday and to commemorate her completing 50 years in film music. And with a view to have a sense of completion in the sequel, I set about documenting her career in other languages in brief. But I soon gave up the attempt in sheer frustration, for Janaki’s stupendous achievements in each language defy any attempt at abridgment. Hence, here I am with an inevitable attempt at a detailed look at the diva’s career in each language. Let me begin with Malayalam, for even while Tamil and Telugu cinema chose to offer Janaki only sporadic employment in the 50s and 60s, (that she made the best use of the opportunities that came her way in these languages is another point altogether!), it was Malayalam and Kannada cinema that embraced the young singer and welcomed her unreservedly.


Soon after her first Tamil and Telugu songs, Janaki made her debut in other languages like Malayalam, Kannada and Sinhalese. I remember reading that she had sung film songs in six languages in her very first year! With her innate flair for languages and phenomenal grasping skills, this would not have been a daunting task for this extraordinary woman. Many of you would remember a vividh bharati programme called ‘madhur geetham’ between 4.30 and 5.30 in the evening that was devoted to film songs from the four southern languages with the announcements in Hindi. As a child I used to listen to it immediately on returning home from school, before running out to play, and I still remember being filled with wonder at Janaki being a regular feature in all the four languages, day after day.

* * * *


‘kEshaadhi paadham thozhunnEn, kEshavaa, kEshaadhi paadham thozhunnEn…’ Lines that floated serenely in the air in the temple precincts and made me stand still with inexplicable bliss when on a pilgrimage to Guruvayoor. My friend from Cochin who accompanied me informed that this famous devotional song can be heard everyday, not only in Guruvayoor, but also in most temples all over Kerala. I was particularly intrigued, for the piety-soaked voice that had sung those lines was Janaki’s. And much later my search for the song unfolded the fact that this was originally a movie song (pagal kinaavu/ 1967), composed by B.A. Chidambaranath and sung by Janaki. But the composition had long outgrown the cocoon of a film song, and over the years has metamorphosed into one of the best-loved hymns in Malayalam!


Janaki’s first song in Malayalam was for the movie ‘minnunathellaam ponnalla’ (1957/ Kerala Arts), recorded at the AVM studios. The song was ‘iruL mooduyagO en vaazhvil’, written by P.N. Dev and composed by S.N. Chami. Malayalam is a difficult language for any outsider to master, but Janaki got the accent and the rich niceties of the language right within no time. However, ever humble, Janaki acknowledges, “Malayalam was a challenge indeed. But I worked hard on the language and managed to get the pronunciation right under the guidance of composers and lyricists”. In this connection, Janaki recalls an ardent fan of hers called Leela Chacko. Apparently during those early years, Leela used to call her up everyday, and Janaki’s daily conversation with Leela resulted in significant improvement in her Malayalam. I happened to watch a part of music show titled ‘Little Masters’ in one of the TV channels two weeks back, and was delighted to see a group of talented children sitting with Janaki in the lawns of her beautiful house and sing in her presence and seek valuable guidelines from the venerable veteran. To a question from a child about singing in other languages, Janaki replied with a twinkle in her eye that languages are easy to master, especially when one is young, and that each language has certain key syllables and the secret lies in mastering them. How simple it sounds!


Janaki gained so much proficiency in the language that she soon sounded like a native Malayali. And even while singing in the language, she has employed subtle variations in accent and pronunciation to suit the particular region/ caste/ religion of the character. So much so that I have some friends from Kerala here who look at me pityingly whenever I assert that Janaki’s mother tongue is Telugu! I have even heard that Janaki once objected to a tune when the rhythm set by the composer resulted in the word ‘maadala’ in the line ‘maadala poo pOloru’ being wrongly emphasized as ‘maddala’. The composer, who was not a Malayali, looked askance at her insistence, but when she explained that ‘maadala’ meant pomegranate while ‘maddala’ referred to a folk percussion instrument, he readily changed the rhythm to Janaki’s satisfaction. The composer was none other than the venerable Salil Chowdhury and the song, the unforgettable ‘shaarikE en shaarikE’ (swapnam/1973).


I have listened to some of Janaki’s early numbers in Malayalam and they were indeed a startling revelation, for I was quite unaware of her rich legacy in the language. Her duet with A.M. Raja, ‘raakuyilE raakuyilE’ from the movie ‘minnal padayali’ (1959) composed jointly by P.S. Diwakar and Ranganathan for instance, is a tantalizing treat from a bygone era. Two other enthralling songs from the same movie have managed to survive the ravages of time as well- the memorable SJ solo ‘valayalitta kochchu kaigaLE’ and the dainty duet ‘poovanamE pudhuvanamE’ where PBS and Janaki usher in the magic that only they are capable of.


Janaki then sang ‘mangalam neruka’ for V. Dakshinamoorthi in the movie ‘seetha’, which marked the beginning of a endearing and enduring relationship between the exacting composer and the gifted singer. Swami’s albums like umminithanga/1961, sathyabhama/1963, susheela/1963, sree guruvayoorappan/1964 had some exquisite numbers by Janaki. Over the years, the revered Swami summoned Janaki repeatedly to do justice to his intricate compositions like ‘kadhayoNNu kEttu’ (Cochin Express/1967), ‘vidilla nyaan’ with Kamukara Purushothaman (Lady Doctor/1967), ‘padunna puzha’ (padunna puzha/1968), ‘vaikathashtami naaLil’ with Yesudas (bharyamaar sookshikkuka/1968), ‘kaNNil kaNNil nOkkiyirunnaal’ (Danger Biscuit/1969). Kanoor Deluxe/1969 had the famous Janaki solo ‘varumallo raavil priyathaman’ and the jaunty ‘ee muhabathendoru’ where Janaki is serenaded by PBS and Yesudas on either side. The same year saw the release of another brilliant album ‘pooja pushpam’, wherein Swami gave Janaki the solo ‘mOhamO dhaahamO’ and the duet with Yesudas ‘raaja malligE.’ kalpana (‘amrithavarshini’ with L.R. Eswari and ‘kunnathE poomaram’) and sthree (‘ínnalE neeyoyoru’ and ‘kavitha paadi raakuyil’) were Janaki’s songs for Swami in 1970 that held the listeners captive. ‘govardhanagiri kayiluyarthi’ (marunaattil oru malayali/1971), ‘valampiri sankhil’ (maya/1972), ‘oru chumbanam oru madhu chumbanam’ (driksakshi/1973), ‘abhinavajeevitha’ (poimukhankaL/1973), ‘aalOla neela viLochanangaL’ with Yesudas (veendum prabhatham/1973) ‘chale chalicha’ (udhaya/1973), ‘mullapoompallilO mukkuttikkavillilO’ with Yesudas (arakaLLan mukkakkaLLan/1974), ‘pournami chandrika’ (alakaL/1974), ‘manadhoru kavadiyattam’ (chumaduthangi/1975), ‘ellaam neeyE soure’ (sreemad bhagavad geetha/1977) – Janaki continued to gladden the heart of the venerable master with her impeccable performances. In the 1982 movie ‘gaanam’, Dakshinamoorthi extracted some intricate classical numbers from SJ such as ‘sindoora vigraham’ and ‘aalaapanam aalaapanam’ (a stellar ragamaalika with Yesudas, this one!). The musical ‘ente mOhangaL poovaninju’ had Janaki rendering some challenging compositions of Swami like the lilting duet with Yesudas ‘nananju nEriya patturumaal’, the dazzling solo ‘thamburu thaanE shruthi meetti’ and the melancholic duet with Yesudas ‘aashaada meghangal nizhalukalerinju’. The crowing glory, of course, was when Swami picked Janaki to match vocals with trained singers like Balamuralikrishna and Yesudas in the in the Tyagaraja krithi ‘raghuvara’ wherein Janaki’s swift, spellbinding swara repartees to Balamuralikrishna and Yesudas are truly awesome, considering how negligible her formal training in classical music was. She would repeat this feat under Ilaiyaraja’s baton when the movie was remade in Tamil in 1986 as ‘isaipaadum thendRal’.


Listen to ‘íniyurangoo’ by S.Janaki from vilakku vaangiya veeNa (1971)
Lyrics by P. Bhaskaran
Music by V. Dakshinamoorthi


Listen to ‘aalapanam’ by K.J.Yesudas & S. Janaki from gaanam (1982)
Lyrics by Sreekumaran Thampi
Music by V. Dakshinamoorthi


Perceiving the intrinsic worth of the young singer, stalwarts like M.B. Sreenivasan, K. Raghavan and B.A. Chidambaranath vied with each other in offering her challenging numbers that saw her ascend the firmament of fame. MBS took Janaki into his fold right from kalpadukal/1962 in which Janaki rendered that unforgettable duet ‘tharil thararaO’ with K.P. Udhayabhanu. In the same year, she sang ‘ellaam kazhinju thelinju’ (swarajyam), ‘valamnu valamnu’ (kaNNnum karalum) and ‘asavasantham’ (snEhadeepam) for MBS. Her duets with Kamukara Purushotaman, ‘chandrantE prabhayil’ and ‘odum pava chadum pava’ in snEhadeepam retain their popularity to this day. Over the years, songs such as ‘kaNNezhuthi pottumthottu’, ‘varum oru naaL sukham’, ‘kanyamariyamE punyaprakasamE’ (all from althara/1964), ‘vaarmukilE vaarmukilE’, ‘thaazhathE chOlayil’ (both from puthri/1966), ‘rajahamsamE’ (aparadhini/1968), ‘chirukkumbOl koodE’ (kadal/1968), ‘aathiraakkuliruLLa’, ‘yamunatheera viharini’ (both from madhuvidhu/1970), ‘araLi thulasi raajamalli’ (iniyoru janmam tharu/ 1972) and ‘swapnam kaaNukayO’ (prathikaaram/1972) cemented the endearing bond between the composer and the singer. The high-pitched ‘veLichchamE nayichaalum Bethlahemil kaalam koluthiya’ tuned by MBS, (vidhyarthikalE ithelE ithilE/1971) has Janaki adding gloss to the composer’s famed choir arrangement. Besides these solos, Janaki has sung some memorable duets with Yesudas for MBS such as ‘chandrapalunku maNimala’ (kanyakumari/1974), and ‘swarnavigrahamE’ (swarnavigraham/1974). ‘viswamahaakshEtra sannidhiyil’ (idavazhiyE poocha minda poocha/1979) is said to have fetched Janaki heartfelt accolades from the composer. ‘oru vattam koodi’ (chillu/1982) is another bewitching MBS composition that Janaki did ample justice to.


Listen to the award winning ‘ettumanoorambalathil ezhunnallathu munnil’ sung by S. Janaki from oppOl (1980)
Lyrics by P. Bhaskaran
Music by M.B. Sreenivasan.


Janaki was the favorite singer of composer K. Raghavan, and their collaboration has brought forth of some of Malayalam cinema’s most popular numbers. ‘kothikallE kothikkallE rebecca’ from the 1963 movie ‘Rebecca’ is such a simple, endearing number, recalling an unhurried, tranquil past, while ‘karikkodi thanalathu kattilE kiLi peNNin’ that opens with ‘unarunaroo unni poovE unni poovE’ from ‘ammayE kaaNaan’ of the same vintage showcases Janaki in her breezy, blithe elements. Decades have passed by, yet Raghavan’s albums such as unniyarcha/1961, shyamala chEchi/1965, shyamalachEchi/1965, shyamala chEchi/1965, nagaramE nanni/1967, asuravithu/1968, kakkathamburaatti/1970, kurukshEtram/1970, ummachu/1971, anandasyanam/1972, pathiraavum pakalveLichavum/1974, kaNNapanunni/1977, thachOli ambu/1978, mamankam/1979, sandhyaragam/1979, kaattilE paattu/1982, nyaan oNNu parayattE/1982 and pallankuzhi/1982 brim with the undiminished exuberance of Janaki.


Listen to ‘manjani poo nilaavu’ sung by S. Janaki from nagaramE nanni (1967)
Lyrics by P. Bhaskaran
Music by K. Raghavan


B.A. Chidambaranath, who passed away recently, was another composer who managed to extract the best out of Janaki. Janaki’s songs for Chidambaranath like ‘kalithOzhimarennE’ and the duet with Shanta P. Nair ‘kadavathu thoni’ (muRappeNNu/1965), ‘karpoora thEnmaavil’ (rajamalli/1965), ‘viravalan kuruvi’ and the duet with Yesudas ‘kungumapoovukkuL poothu’ (kayamkulam kochunni/1966), ‘OdakkuzhaLOchayumE’ and the duet with B. Vasantha ‘pathinEzhaam vayasinttE’ (kalli peNNu/1966), ‘oru thulasi’ (Station Master/1966), ‘nidrathan neeraazhi’, ‘guruvaayooril oru’ and ‘kEshaadhi paadham’ (pakal kinaavu/1967), ‘OlOlam kavillulla’ (kunjali markkar/1967), ‘aalOlam’ with P. Leela (sahadharmini/1967), her three duets with Yesudas ‘mayilpeeli mizhigaLil’, ‘anjana kuLir’ and ‘andhimalarkkiL’ (chattambi kavala/ 1969), ‘Olam kunjOlam’, ‘thaamarappovE’ and the duet with Balamuralikrishna ‘neela neela vaanamitha’ (kalippava/1972) showcase the talents of both Chidambaranath and Janaki.


Listen to the serene ‘kEshaadhi paadham’ sung by S. Janaki from pakal kinaavu (1967)
Lyrics by P. Bhaskaran
Music by B.A. Chidambaranath.

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